‘Sherritt was an extraordinary man. He could stand anything-endure any hardship. He thought nothing of sleeping out in the wet and cold and letting beetles and things run all over him. One day constable Dixon was in the hut and said to Sherritt, “Didn’t you say you could lick any man in the police force?” … Continue reading An Extraordinary Man
As you may be aware, I have decided to publish my writing in a hard copy format and offer it for purchase, with Joe and Maggie to be the first available. A great deal of time, research and love goes into my writing, and I wish to see my work (and Joe’s life) on people’s … Continue reading Some Background on the Booklets
Q1 Anita Condon – I love reading your writing, research and posts. What made you start on this journey? A – Thank you Anita, I appreciate your support and I’m glad that the question you posed allows me explain how An Outlaw’s Journal came about. For a number of years, I had toyed with the … Continue reading Questions and Answers (June 2020)
The heels of Joe’s polished bluchers clip over the cobblestones as he walks up along Camp Street toward Bray’s Photographic Studio. His pipe hangs lazily from the corner of his lips, swirls of tobacco smoke drifting into the crisp autumn air. Feeling proud in his appearance, in tweed jacket and trousers, waistcoat and a crisp white shirt, Joe holds his head high, his blue eyes focused firmly ahead at the bustling cross roads.
Hobbling Music in the thick scrub of the gully, Joe begins untying the rope that secures the rolled up overcoat to the pommel of the saddle and unfurls it, revealing the shotgun that has been hidden within the fabric. The bitting chill of winter sends a shiver from his lips and he wraps the coat around himself, turning up the collar to hide the bushy beard that frames his face. Slinging the weapon across his shoulder, Joe unbuckles the girth and removes the saddle from Music’s back, resting it against the rotted stump of a pine tree. He strokes his hand along the glistening mark at her side, causing her to twitch and flatten her ears in response. Aware of what has made the bloody wound, Joe lifts his leg behind himself and rubs a finger against the pointed tip of his spur, the iron smeared with blood. He shakes his head and removes her bridle, the tom thumb bit falling from her mouth with a clatter. Music grinds her teeth and rubs her forehead against his shoulder, leaving a speckled patch of white on his woollen overcoat. “Enough of that,” Joe says, pushing her head away. Laying the bridle on the stump, he begins his descent down to the flat of Sebastopol in search of rest.
The early morning sun shines brightly through the chinks of Aaron’s slab hut at Sheepstaion Creek, warming his face as he lies sleeping on his bunk.
In Aaron’s dream, Kate Byrne is standing before him in the cool water of Reedy Creek, the hem of her dress pulled up around her calves. He slides his arms around her waist and pulls her close, the sweet smell of lavender radiating from her auburn hair. “I never want to be without you, Aaron,” She declares softly, her head buried in his shoulder. Aaron lifts her face to his and kisses her tenderly, “Nor me, Katie.”
Making sure the coast is clear and there are no police about, the Gang spur their horses across the Murray River, halfway between Mulwala and Tocumwal. Joe is riding a chestnut he has secured for the ride up to Jerilderie, allowing Music to have a well earned rest at Sebastopol. While the mare swims across, the murky river water laps at his calves, offering cool relief from the hot summer sun above. Once into New South Wales, the four outlaws ride north along the boundaries of Barooga and Berrigan stations, making camp in a scrubby forest where they will spend their time finalising plans for the robbery ahead.
For a long time now, I have been wanting to find out more about Maggie, this woman who had first captured Joe’s heart at an unknown time, on an unknown day. We know Joe was charmed by barmaids, or rather, women in general, but there was something special about Maggie from the Vine. In An Outlaw’s Journal, her name is Julia and she is Cornish, having travelled from Cornwall as a stowaway in a desperate bid to escape the drunken abuse of her husband, Jim Clarke. But who was she? We know from one of the Vandenberg daughters that ‘Maggie’ wasn’t her real name, which got me wondering as to what it could have been? And why the need to use a name that wasn’t her own? In my writing, the reason for the alias is so she can escape her past, but why did I decide on the name Julia? It occurred to me one day while reading the Jerilderie letter, that the line ‘Tailing turkey’s in the Tallarook Ranges for a smile from Julia’, could have been Joe’s nod to the woman who had captured his heart. Of course, this is all supposition, and I won’t go into too much detail regarding the time I was thinking about Maggie and reached into the drawer for a tea towel, only to see that the cloth I had chosen was embroidered with the word ‘Cornwall'...
'We have received from an anonymous correspondent who is evidently a sympathiser with, and a near associate of the Kellys and their companions, a long but rambling statement of the case as it is put by the outlaws. The document, which contains sixteen pages, came by post simply addressed to "The editor of the Herald newspaper, Melbourne." It is evidently written by an illiterate person, the orthography being defective, the calligraphy in some portions almost undecipherable, and the composition rambling and sometimes unintelligible. Sufficient can be gathered, however, to show that there is a very bitter feeling of animosity among the sympathisers of the outlaws against the police, and reasons are stated why they should exist. An inquiry is anxiously demanded, and as the statements made are of a serious character, and the demand for an inquiry apparently a justifiable one, we give some particulars from the citation of our anonymous correspondent, who, for aught we know, may be one of the gang.